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Historians make emotional journeys into the past

Researchers are finding powerful ways of resurrecting the elusive emotions of previous eras

Published on
December 24, 2015
Last updated
December 29, 2015
The Mater Dolorosa, Albert Bouts
Source: Corbis
Crocodile tears? Are emotions best seen as spontaneous outpourings or in more Machiavellian terms?

Historians have long been interested in studying the emotions. One of the pioneering works, Johan Huizinga鈥檚 The Waning of the Middle Ages, was published in 1919 and has been described as 鈥渆vok[ing] a late medieval world of vivid and extreme emotional feelings 鈥 of joy and rage; grief and tenderness 鈥 all expressed with childlike directness and simplicity鈥.

The description comes from Thomas Dixon, director of the Centre for the History of the Emotions at Queen Mary University of London (QMUL). This was set up in 2008 as the first specialist UK centre and is designed not only to further scholarship but also to 鈥渃ontribute both to policy debates and to popular understandings of all aspects of the history of emotions鈥.

A at the end of last year聽listing highlights of work in the area by the centre鈥檚 scholars and others gives a good sense of how things have panned out.

Dr Dixon had himself written and presented a 15-part series for BBC Radio 4 on Five Hundred Years of Friendship. (He has followed it up this year with the book Weeping Britannia: Portrait of a Nation in Tears.)

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Wellcome Trust medical humanities research fellow Chris Millard was seconded to the Parliamentary Office of Science and Technology to produce a briefing on 鈥減arity of esteem鈥 between mental and physical health.

A guest blog post by Joanna Kempner, associate professor of sociology at Rutgers, the State University of New Jersey, explored the gender politics of migraine. We might think that we have moved beyond the image of the migraine sufferer 鈥渆ncoded in dozens of misogynist jokes, each of which implies that women with migraine are either lying to avoid sex or are so weak that they succumb when faced with the prospect of working鈥. Yet even now that 鈥渁 neurobiological paradigm鈥 has been generally adopted, we still find that 鈥渢he language of emotions and patient-blaming remains. And perhaps more importantly, the language of femininity remains as well.鈥

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Meanwhile, other guest posts considered topics such as 鈥渁 lovelorn Georgian aristocrat鈥 (for Valentine鈥檚 Day) and 鈥渢he grave of Joy Division frontman Ian Curtis as site of memory and mourning鈥.

A 鈥榬adical鈥 feeling

So the very existence of the centre at Queen Mary and similar institutions in other countries points to the range and vibrancy of research in this field. But it is also important to make clear what is being claimed for it.

Pioneers such as Huizinga tended to imply that some groups (usually modern white European men) are properly rational and civilised, whereas others have emotional lives of 鈥渃hildlike directness and simplicity鈥. Similar stereotypes have, of course, often been applied to women and 鈥減rimitive鈥 peoples.

Today鈥檚 scholars very explicitly reject all this. In a communal blog titled , Rhodri Hayward, senior lecturer in the history of medicine at Queen Mary, calls the subject 鈥渁 radical discipline鈥, which 鈥渢eaches us that our feelings are not determined by deep psychology or biology but are instead historical constructions born out of an accident of our language, relationships and material circumstances鈥hen we write the history of the emotions, we make available novel descriptions and associations that in turn create new ways of understanding and experiencing our inner lives.鈥

Not everybody is convinced that a historical approach can prove so liberating.

Francis O鈥橤orman, professor of Victorian literature at the University of Leeds, recently published , a聽book that draws on his own experience as a fairly mild kind of worrier but also traces some of the history of the feeling.

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Much of today鈥檚 worrying, he believes, has been 鈥渃reated by advanced capitalism, the sheer busyness and complexity of the modern world, where we try to do things more and more quickly, and are subject to more and more structures of evaluation鈥. Yet such a historical analysis hardly helps at a personal level because 鈥渨e can鈥檛 get out of history and abolish advanced capitalism鈥.

鈥淪earching for an emotional trail is challenging,鈥 notes Joanna Lewis, assistant professor in the department of international history at the London School of Economics, particularly in the contexts she is exploring in her monograph Empires of聽Sentiment, given that imperialists鈥 鈥渁ttempts to enforce boundaries and鈥uperiority based on crude racism included the keeping-up of a non-emotional appearance: don鈥檛 show feeling; don鈥檛 betray emotions; crying is for girls and Africans; stiff upper lips at all times, chaps,聽especially in front of the servants, etc!鈥 Yet because 鈥渢he experience of empire was full of loss, disappointment, death, loneliness, cruelty and guilt鈥, this is also a richly rewarding field for a historian.

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Wired or wily?

But are emotions best seen as spontaneous outpourings or in much more Machiavellian terms, as tools we use to manipulate others? How can we decide whether people, and particularly politicians, are genuine or opportunistic when they shed a tear or leap for joy? Can science provide insight into human emotions that historians ought to take into account?

Such questions have been much debated in books such as by Jan Plamper, professor of history at Goldsmiths, University of London. On the last point, for example, he once wrote that the neuroscientific study of emotions was 鈥測et to produce sufficiently robust knowledge for [historians] to exploit鈥.

Tiffany Watt Smith takes a similar line. Now lecturer in English and drama at Queen Mary, she spent most of her twenties as a theatre director, which gave her an interest in 鈥渆motional gestures and displays鈥. She is struck by the prevalence of 鈥渂iologically reductive explanations in evolutionary psychology and neuroscience鈥arwin is probably right that fear and disgust can be traced back to our animal ancestors. But that is not the entire story 鈥 we all know that emotions are not just physiological reactions.鈥

In The Book of Human Emotions: An Encyclopaedia of Feeling from Anger to Wanderlust, therefore, Dr Watt Smith was keen to 鈥渕ake a clear gesture about the abundance of emotions in our lives聽鈥 not just a 鈥榖asic鈥櫬爁ive or seven [proposed by some psychologists]鈥 think it鈥檚 important to keep complexity聽at the forefront when we think about feelings.鈥

Earlier research on the history of emotions, suggests Sarah Crook, often focused on 鈥渟ubjective experience鈥, but some people have now moved on to topics such as 鈥渢he emotional history of politics or political history of the emotions鈥.

In the PhD she is completing at Queen Mary, she is looking at how anxieties about postnatal depression (and other forms of distress in early motherhood) proved important in post-war Britain to second wave feminism, the campaign to legalise abortion and, later, the move towards 鈥渃are in the community鈥. Although many other factors obviously came into play, Ms Crook hopes to 鈥渁dd colour and emotional depth to our understanding of these historical developments鈥.

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To that extent, emotional history can work alongside political, social, intellectual and gender history in helping us to unravel some of the mysteries of the past.

matthew.reisz@tesglobal.com

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